Sunday, January 07, 2018
New Year 2018
Tuesday, September 05, 2017
Because Seattle will always mean homecoming
Sunday, August 13, 2017
Craving Seattle
I took some time off during this trip to do what I love doing- reflect while passing some of the familiar streets and neighborhoods that were an integral part of my twenties. A bus ride from Green Lake to Fremont, Dexter Avenue, the troll, all the way to downtown. A walk from the Montlake Bridge to the university avenue. A drive through my previous workplace in Redmond. A trip to the Lincoln Square Mall in Bellevue. I do it every time. Yet, I never tire of it.
Somehow, in the process of a laborious and complicated rubric cube solving exercise that lasted me seven years, I was able to find my way back, at least somewhat near Seattle. When I had left Seattle seven years ago, I had no idea about where life is taking me. Had someone showed me a crystal ball and told me that in seven years, I would move to the east coast, actually finish the PhD that I did not finish the first time, move to the mid-west, move to Germany, complete two postdocs, and come back, I would have only stared at them in disbelief. Yet, it all happened. And I was able to slowly inch back as close as I could.
Seattle to me is like falling in love with someone and never getting over them. This time, the people I met talked about skyrocketing real estate prices, worsening traffic, racism in the backyard, the rapid expansion of greater Seattle, and other such things. Yet, I am oblivious to these vices. In my time capsule, I am spending my 27th birthday at midnight, climbing the troll and digging its nose for a goofy picture. I am a graduate student absconding from work and spending the day at the Gasworks Park, feeding ice cubes to the ducks and seeing how long it takes before they realize it. I am eagerly waiting for my Husky sticker to arrive so that I can start taking free bus rides again. And I am that poor student who is walking down the halls of the health sciences building, meticulously reading every advertisement to see if there is an experiment I could qualify for and earn a few extra dollars, cheap free goodies, or even a slice of pizza for my time. Sensitive teeth experiments where they alternatively squirt warm and cold water on your teeth and gums, sleep experiments, nutrition experiments where they feed you some liquid everyday for three weeks and monitor your blood sugar, respiratory experiments where you run on a treadmill and they monitor your forced expiratory volume, or ergonomics experiments where they ask you to type on a bunch of different keyboards and ask for your feedback. Someone asking for my feedback used to be novelty back then. That is why I did it all, with full gusto.
Wednesday, March 09, 2016
The train named nostalgia
It was a typical cloudy Seattle day, just like it was when I first arrived here almost a decade ago. I got off at the Montlake Freeway station and walked by the moss-colored Montlake bridge to the Husky Stadium where my convocation took place many years ago. The Burke Gilman Trail, U-Village, Zoka, and the University Avenue, all invoked diverse memories from the same era. Every shop and building I passed by, every street I walked has a connection with my past. I have lived in multiple places in the US, but Seattle is where all the "first times" happened. My first bank account, first time eating Thai and Japanese and Korean and American, first drivers license, first car, and so on. I was flooded with memories, and there are two random, inconsequential ones I particularly remembered.
I am a huge fan of Chipotle (A close second to biryani, I could eat it every day), and my first time was at the one on the Ave. It's still there, and I stood in front of it, reminiscing. There is a particular guy there who had taken a liking to me. I used to frequent that place, especially when I had exams, and this guy used to steal some time out of serving food to come up to my table and make small talk. I remember once he asked me very subtly if I would go out with him. I never got the hint. I was a 25-year old fresh-off-the-boat living outside home and the country for the first time. I was not really worldly wise, not used to people asking me out, and not used to seeing so many people who did not "look like me". I could never chat up random strangers like I do now. Back then, I would not know what to talk, even if I had gone out with him. Honestly, I was more uncomfortable than flattered. So I stopped visiting that place for some time. The good thing is, he used to serve me extra servings of guacamole (I love guac!), and this, some of my friends would remember too.
Then, there was a senior PhD student who had befriended me from some common shared interest group on social media, although we had never met in person. One day, he said something like, "You don't know Seattle, so I can show you Seattle. There are many parks here. Let me take you to a park some evening after class." I am old and wise enough to now know that he was just nerdy and socially awkward. But back then, I had freaked out, mostly because I grew up being told that one should not go to parks and secluded places with strangers. I could get murdered, my body chopped up into pieces, sealed in a sack, and shipped off somewhere. I did not know that parks are safe places here where people worked out and walked their pets. G, my Seattle guide and guru back then had also freaked out and warned me not to go to parks with strangers. I never went. Sometime back, I looked up the guy out of curiosity. He is a professor now, doing very well for himself.
Tuesday, March 08, 2016
Timeless parental advice
The little one looked clueless, so I was making up a corny line or two to tell her, something like, "Look, this is how I met your mother." Before I could say anything, G gave the most profound speech to the little one-
"Look kanna (little one), auntie and amma (mother) studied here. This is where you will study, okay? Every day, I will nicely pack you thair saadham (curd rice) and maawadu (mango pickle). Appa (father) will drop you to the bus stop every day, and will hug you tightly and do total PDA (public display of affection) so that you don't do any boyfriend stuff in undergrad, but only focus on studies. You can study anything kanna, medicine, engineering, or architecture. Puriyar dha? (Do you understand?)"
"Puriyar dhu (I understand)", bleated the very clueless child meekly.
And I thought to myself, Wow! Curd rice and daily bus ride and a protective daddy and living with your folks and studying engineering. Long live Indian parenting! Ironically, I flew half the way round the world to come to the UW to escape the same Indian parenting.
Tuesday, March 01, 2016
Food hunting and gathering skills
1. See and walk in the dark, with only the blue little light of the thermostat mounted on the wall guiding me.
2. Tiptoe silently down the creaky wooden stairs and the wooden floors, so as not to wake up the adult humans and the tiny humans.
3. Stay away from the activated alarms, and from accidentally turning on any light, or initiating any 9-1-1-kind of disaster.
4. Not step or trip on squeaky toys on the floor.
5. Scan food quickly for stuff like dahi vada, gajar halwa, idli, and fruit cake, carefully avoiding the salads and the vegetables, and avoiding spilling, breaking, and disasters of such kinds.
6. Eat quickly, and in the dark. Also, wash my hands, opening the tap minimally to avoid any sound of water flowing.
7. Not get startled by the sounds in this home. Dish washers, the house heating furnace, and mostly, snoring human beings in the house.
8. Tiptoe back to my room quietly, carefully avoiding the squeaky bed, or bumping into any sleeping human or humanoid.
9. Perform the entire stunt of hunting, food gathering, eating, and finding my way back in less than five minutes.
10. Not re-enter the wrong room in the dark by mistake.
Monday, February 22, 2016
An honorary Tamil
They speak in Tamil and English at home, and make no exception for me. A rather rambunctious family, they even argue, fight, and watch movies and TV shows in Tamil. When we go on drives, I'm always forced to listen to Tamil songs.
As a result, my rudimentary knowledge of Tamil is quite impressive. I can ask you to please come inside, go outside, come downstairs, and go upstairs. I can ask you to go take a shower, and ask if your bowel movements were fine this morning. I can ask you if you need a diaper change, and question why are you shouting or putting your hands in your mouth. Everything in Tamil. I know quite a few bad words in Tamil, and the good words that sound like bad words too (like poo, that means a flower). I know what an ass is, and what a buffalo's ass is. I even know random words like karandi (daal'er haata in Bangla) and couppai thotti (trash can).
However, my abilities go far beyond linguistics. I am familiar with many of the popular Tamil soaps, and can sing (or at least hum) quite a few songs too, including Vaaji Vaaji Sivaji. I am kind of familiar with a subset of the thousands of Gods and Goddesses, particularly amused by a Quick Gun Murugan God, and a Hyper God (It's actually Hayagriva God) who accepts clove offerings. I can name many varieties of food, from the koota to the kolombo (not to be confused with Colombo), sundal, aviyal, poriyal, mostly made with nariyal. I still don't understand much that they speak, but I can recognize word patterns. For example, whenever I hear a series of words like, "andre pandre andre pandre dosa" or "andre pandre andre pandre appam", I know it is time to drop whatever I am doing, follow my nose, and land up in the kitchen for some lip smacking food.
This time, I intend to add much more to my vocabulary, and teach G some interesting Bangla words too. She already knows Kosha Mangsho (trust me to teach that first to a pure vegetarian), Paanchu Gopal, and Paaka Meye. The knowledge exchange will be fun this time, and so will be my nocturnal fridge raiding sessions. Theirs is the only fridge (other than the one in Kolkata) that I shamelessly raid after midnight without any inhibition.
Until then, my German lessons continue. Ten lessons done (eighty more to go), and they are still hung up on teaching me how to order beer and wine and food at Restaurant Sumloven in Opera Platz, and meet some male friend at 8 o'clock and go have a drink at his place later. Talk about focusing on the right things.
Tuesday, June 16, 2015
Impromptu Poetry
Hot and sultry, inching towards May
The sky with the deepest promises of blue
The water in Lake Washington mirroring its hue
Dissecting it, stood the longest floating bridge
Towering above were the Cascades, and the Olympics' ridge
And there stood the Rainier, mighty and tall
To be admired at, and mesmerized by all
The view from the bus was a visual treat
With hopes and promises did Seattle greet
Yet alone, I sat mesmerized, none in my wonder journey join
Heads bowed to technology, everyone was busy staring at their groin
If only they'd looked up, what all they'd see
The sight of Heaven on Earth, that's how it'd be.
Monday, June 15, 2015
New Memories in Seattle
Wednesday, February 16, 2011
Remembering Yoni Ki Baat

Come February-March, I fondly remember the excitement and the gusto with which I would wait for Yoni Ki Baat. I don’t know how I found Yoni Ki Baat (or how Yoni Ki Baat found me). In the past, I have written about my hesitation in performing for this play. Honestly, the hesitation left me the first time I went up on stage for my performance. It was a Eureka moment, a life defining moment for many reasons. From there, there was no looking back.
2008 and 2009, I performed in Seattle’s Yoni Ki Baat. I don’t know if anyone of you was there for the show, or if anyone remembers my performance. I have never been a stage and spotlight loving person. In school, I would be the last person you would see voicing her opinions. The darkness, the sharp stares of the audience I could feel, with the bright lights on my face has always made my knees jelly-like. The whole world staring at you from a dark vista point is not a very comfortable feeling to live with. Stage performance was so not me. Then, Yoni Ki Baat happened.
Was I scared? Hell, yes! No matter how much you have rehearsed your lines, nothing can help those butterflies flapping their wings inside your stomach. You know that your friends and the entire Seattle/greater Seattle community is going to be there to listen to you. In some ways, you are the most important person on the stage that evening. In some ways, the stage is the most important and the defining thing of your life that evening. It is natural to feel queasy, for it is much more than a performance. You know you are about to talk about some really personal and taboo topics. No amount of hand holding and good wishes can dispel the fears that are nagging you. Was it the right thing to do, to be on stage and talk about things that can turn away a potential boy friend if he found out? Is it okay to talk about things you would rather your mother did not hear of? I am reputed to have made some daring stunts on stage, now that I think of it. Do not get me wrong, my issues were not always sad issues. I have had some very happy scripts as well. They were taboo issues nevertheless.
A girl in the 6th grade orgasms in class without knowing what an orgasm is, and believed for years that she had a “happy blackout”. The writer Juno spoke of unfulfilled dreams of motherhood. That was me performing on stage. Sometimes I was a 6th grader wondering what exactly hit my world that day and gave me a blackout. Sometimes I was that twenty-something old woman who wants to experience motherhood. Sometimes I was 27 and unmarried, unable to find a connection between the Jakes and Lukes from Harlequin Romances she dreamt of, and the Kamal Kishores and the Neelkanth Kumars she actually met in life. Sometimes she was a happy yoni, sometimes confused, sometimes angry, and sometimes scared. At the moment whatever her emotions were, she always found her voice on stage, a truthful and authentic voice that belonged to her and never failed her.
I realized in the process of scripting my play, that comically cynical, sarcastic satiric writing is my forte. I wrote about grave and serious issues in a way that had the audience in splits. It just came naturally to me. Here I was talking about how “the common man, even after topping the IIT and ending up as a software luminary, spends his entire life paying off mortgages for a house in the outskirts of Bellevue”, and here my audience was laughing uncontrollably. When I was sad, the audience laughed. When I was angry, the audience laughed. Once, all I had to do was go up on stage to start my performance, and some people (probably my friends who knew me) started laughing J
It was an important realization, that this is perhaps where my voice came from. I found it immensely therapeutic. It is not that I intended to become a standup comedian. However, no matter how I said my story, and how sad my story was, the audience always laughed. I am glad they did because I did not want them to weep, feel sad, or shift uncomfortably in their seats. Yoni Ki Baat gave me a blank canvas on which I could paint whatever I wanted to. And I found my voice in humor. Some of my best writings turned out to be the ones coated with a cynical, satirical overtone.
I discovered my comfort zone in writing scripts. I got hold of my stage fears. I learnt to get there in front of people and talk about things that were important for people to think of. Not only this, I made a set of wonderful friends during the process of rehearsing for the play who are my sisters I will cherish all my life. These are not just friends who I’d watch a movie with or have dinner with. These are my sisters I would call up and talk for hours. They are the friends who know me as I am, know of my fears, and still love me for who I am without the glitter and the makeup. Unconditional love is what I got from them. This is why Yoni Ki Baat has been such a life defining moment for me.
I missed Yoni Ki Baat in 2010. Last year, I moved out of Seattle and hence, I will be missing Yoni Ki Baat 2011 as well. Yoni Ki Baat 2011 is special. My good friend Shahana Dattagupta who I met through this play, and performed with for two consecutive years, is directing it this time. I know I am going to be there in every sense, except physically. If it were not the middle of the semester, I would have flown to Seattle in a heartbeat. But I realize that is not going to happen.
If you happen to be fortunate enough to live in or around Seattle, I would strongly recommend you to go watch the show. My best wishes go out to the participants this year. I know you will be nervous on stage, but it is very important that you get on stage and tell your story to the world. From personal experience, once you are there on stage and the show has begun, you realize nothing can hold you back, and nothing really matters anymore. I went up and told my stories as if nervousness or hesitation had never mattered to me.
Lastly, dear Shahana, congratulations on your new role as a director. You have all my love and best wishes. You have made quite a positive impact in my life, and congratulations on your journey from being a performer for 3 years to being the director this year. Someone out there 3000 miles away will be cheering for you and is very proud of you. Good luck to you and the entire team of Yoni Ki Baat 2011.
sunshine
Wednesday, March 19, 2008
Trying new things
A few weeks back, I opened my eyes to the glorious sunshine one morning to exclaim, “Shit, I will be turning 27 this year!”. I scurried to the bathroom mirror for tell-tale signs of greying hair, wrinkles on my face, or even a receding hairline. But everything looked fine. However, I now felt that my life-wicker was waning while I did the same mundane stuff over and over again. Nothing was wrong in my life, not an extra pimple on the face, no degenerating hormones or dystrophic muscles. But the very thought of spending a life analyzing health impacts of metals on humans was depressing. So I decided to try something new, something exciting.
I’d heard that my university friends were performing a classical dance for the opening
of a new South Indian temple and were looking for another dancer. I speak or understand
no Tamil, but I found myself for the rehearsals, inwardly rolling on the floor
laughing when I heard the lyrics (which I understood nothing of). Having danced
to tapori songs all my life, a classical performance was not what I had
expected. Nothing had prepared me for a chance to dance Bharat Natyam to the
song “Margazhi Thingal” in a temple. Most people I know perform after years of
classical dance training, and the little bit of dance I had picked up was due
to my interest in Bollywood. Yet the choreographer had immense confidence in
me, no matter how long I took just to get my tripatakas and ardhapatakas and
the other mudras right. Not just was the song alien to me, there were parts in
the song where there were no words at all, but the tei-yum-dat-ta’s and the
Jatis. I do not know if ignorance gave me the courage to go classical the first
time in front of an audience, but here I was with a mini jasmine garden on my
head, kohl-laden eyes, my limbs painted resplendent red with the red highlighter
as a substitute for aalta, my mind vacillating in between controlling the
ticklish sensation and wondering how very dermotoxic the highlighter would be. When
I sent pictures, my family back home thought that I had dressed up all
classical and hired a photographer to take my pics just for kicks.
My group wanted to perform to another song. It was a far cry from
the Bharat Natyam I was religiously practicing. It was full of hip jerks and ovary-dislocating
pelvic thrusts. For the next few weeks, I danced to songs that I did not
understand with friends whose language I did not speak. I made my own version
of the song in my head, making strange words out of what I understood. Imagine
the fun you have dancing to something you do not understand, especially when
the dance moves looked like milking cows. Someone even told me that I looked “authentic
South Indian,” whatever that meant. Again, it wasn’t an earth shattering, but I
think I did well. I was also able to get out of the lethargy that prevents you
from trying out something new, getting pally with a group of unknown people
from different backgrounds, no matter how trivial or unimportant the act or the
effort itself was. I danced to kumbida pona deivam and yammadi athadi.
That summer, I also registered for level 1 salsa classes with my roommate and
her boyfriend and completed it. I tried my hand at some bowling, thanks to a classmate
of mine from Pakistan. I went to a bull riding show in Tacoma last month, starting
watching (and liking) South Park, and went for a dance audition for another
group last week.
sunshine.
Monday, November 13, 2006
Nature Did It.

You had to be here to know what the rains here are like. And they say this year has broken the record of the past many years. Unlike India, it doesn’t pour. It keeps drizzling all day. This has been the case for the last few weeks.
I guess people don’t really notice the rains here. Back in India if this were the case, everyday would be declared a rainy day and people would never go out for work. Here, I am expected to attend classes from 8 am three days a week. Well, I don’t remember seeing daylight anywhere before 7 am here. What more, I don't even need to look out to know if it's raining. The constant sounds of the angry slaps on my windowpane says it all.
The weather is such that you wish everyday was a holiday. You wish you could delve deeper into your sleeping bag and the alarm clock wouldn’t ring at all. You wish there was mom making hot and comforting food. But in the morning, all I survive on are milk and cereals.
I know that I signed up for this life. But then, I saw a very beautiful sight today. Remember Indian weddings where the groom's car is decorated allover with flowers? I have no clue what happens in American weddings. But on my way to school, I actually stopped in the rains to take out my camera and click this.