Sunday, January 13, 2019
Middle-men ecosystem
Tuesday, January 16, 2018
No kidding
Tuesday, January 09, 2018
50 shades of patriarchy
Thursday, August 17, 2017
Love is color blind
A professor grandma. A researcher grandma. A grandma who has spent many years working on feminism. Black history. Black feminism.
I don't even know half the names of Black writers and activists she talks about. Excited, I scribble down the names. I am going to look them all up.
Between such conversations, grandma fondly shows me more pictures of her newborn grandson.
I am willing to overlook the fact that she just reiterated, rather unnecessarily, that her grandson is a US citizen. Others do it too, the ones who need constant validation that they fit in, but she is different. She is a professor grandma. She has somehow earned my respect. No human is without biases. I have mine too.
And then, the unthinkable happens.
She says, "Look at my grandson. He has different colored hair than all of us. Since he was born in the US, he has brown hair. Isn't that amazing?"
My make-believe world of role modeling professor grandma comes crashing down. I look closer at the picture. Not a wisp of brown hair. I also happen to know the parents. Not a wisp of brown hair from there either. Is it my ageing eyesight? I wonder what other strange ideas brew in grandma's imagination. Grandma does not live in the US by the way. Grandma lives in Kolkata. Is love that "color blind"?
Genetics died a mocking death that day.
Thursday, July 13, 2017
When success sucks
Tuesday, July 12, 2016
Questioning the mass tags
Tuesday, June 28, 2016
Fruits of labor
Thursday, June 23, 2016
Water we waiting for?
Tuesday, June 21, 2016
Living up to the image
Monday, June 20, 2016
Black and White
Wednesday, May 11, 2016
A lone breakfast
After a social 5 days in DC that had made my spirits soar
The milk was 2%, the bread smelled old
Without any electronic gadgets, I left the nest (hotel room)
Watching sharply dressed office-goers heading to make some money
Warm and springy, inching towards May
To make small talk, big talk, some talk, none at my table did join
Heads bowed to technology, checking emails and browsing Facebook
Everyone was simply busy staring at their groin
Lost in her thoughts, not lonely, but alone
Sharing travel tales with random globe-trotting penurious dudes and chica
Choosing the comforts of companionship to the comforts of a swanky but lonely hotel
Tuesday, April 26, 2016
Why am I not playing the “fabulous woman” tag either
Monday, April 18, 2016
Othering the non-mother and the lesser-mother
“Accepting the motherhood dare. I was nominated to publish a picture that makes me happy to be a mom. I am going to tag a few friends who I think are fabulous mothers and can rise to the challenge of publishing a picture of their own.”
Sunday, February 02, 2014
Is free really free?
This brief conversation made me realize that the crux of the problem is what the lady said. "But we do not charge you extra for plastic bags. It is free." Just because it is free does not mean that we need it. And many of us do not realize that free is not really free. Somewhere, someone would be paying the price for the thoughtless use of bags, or anything for that matter. Disposable plates. Plastic spoons. Bags. Bottles. The list is endless. What we do everyday is not sustainable. Somebody out there is already paying the price for our lifestyle.
Thursday, February 16, 2012
Expecting Less
My best friend from high school did not tell me she was expecting until she was six months into her pregnancy. That too happened during a conversation when I insisted she come visit me for a few days, since I did not have time to take off from work and travel three thousand miles to go see her, and she had to let me know she has been advised against traveling. I congratulated her and said all the right things I have no personal experience about myself (hope you are feeling well, hope you are not to scared, etc.). Yet in a certain way, I felt distanced. This is not because I have not embarked on the marriage-leading-to-family bandwagon myself. This was because despite being close friends, it took so long for me to know.
As a person interested in learning about human behavior and motivations (because this is what I research about, although from a different perspective and with a different population), I started thinking of the various factors that would have made her decide against sharing the news earlier. I know from personal experience that a lot of women do not share their news of pregnancy, do not buy clothes or toys for the baby until it is born, or do not like their friends photographing pictures of their babies. Although I do not get the point, I respect their decision and leave them alone. It might have been that. For me, it would be nothing short of good news like passing your PhD dissertation, getting a job, or buying a house. Since I would not hesitate to share such good news, again, I failed to see her point. My mother had a different take on it, a cultural and gender perspective perhaps, although in an absurd way. She said my friend must have been “shy” to share the news. Although I know what she means by being shy, it is a ridiculous concept for someone who is exactly my age, lives in the same society, and is of a similar mental makeup. I do not know if there are other reasons, but my most plausible explanation so far is the following-
With time, we tend to hang out with similar groups, and resonate with people who are similar to us. I sense she would have shared the news earlier if I had a baby myself, was expecting, or was at least married. Ever noticed that married people mostly tend to hang out with other married people, graduate students tend to hang out with other graduate students, and Bengali people tend to hang out with other Bengali people? There is a common ground, a common theme underlying all these instances, be it commonality in culture, language, marital status, or stages in your career. If this is the case, it is not good news for me. All it means is that yet another friend moves on with their life. When we grew up together and were great friends, we had common themes binding us. We were in the same class, studied the same subjects, took tuitions together, lived in the same neighborhood, and had the same friend circle. Now, we do not really have anything in common anymore.
I am too old to make new friends based on commonality (for example, single women in their thirties interested in academics, writing, and discussing the specifications of the camera they use. Imagine the odds of finding one in my town?). And it seems I do not fit into certain existing circles anymore. Which boils down to pretty much what I do in my free time anyway- play online scrabble (alone), read books (alone), watch movies (alone), and congratulate my friends during those occasional phone calls when they tell me they are getting married the next day, or having a baby over the weekend.
sunshine
Friday, October 28, 2011
Happy Diwali, Bollywood?

I always thought that Bollywood would have a healthy collection of songs suitable for any Indian festival, but I am not so convinced anymore. The lack of an optimal number of songs dedicated to the festival Diwali (optimal number n being greater than five) only reconfirms my theory that ours is a sex-driven race, just like any other species in the animal kingdom. Have you ever thought why there are hundreds of songs for Holi, Sagai, Sangeet, Shaadi, Karwa Chauth, God Bharai, or even Nag Panchami (characterized by the sinuous dance moves of a reptile-turned-heroine-turned-reptile cursed by some black robe wearing evil man) but only three songs for Diwali? I would argue that in a testosterone and estrogen-driven society where macro-level phenomenon like preening, grooming, mate hunting, courtship, marriage, and procreation exist in any random order, there is no respectable place for a festival which lacks the insinuations of the primal needs of man, namely rain, color, hormones, or the need to touch, want, and hug. Come to think of it, there are hundreds of songs not just for festivals, but for seasons, be it the cot-displacing brrrring of the winter when the khatiya is begged to be sarkaoed because of jaada, the jeth ki garmi waali dopahar (where the heroine instructs the hero - aake god mein utha thaam le baiyan), or the obvious tip tip barsa spawning season. After all, what could be so inviting about a festival characterized by crackers, ear-deafening sounds, the smell of gunpowder, and a bunch of cranky policymakers unhappy about noise pollution? Images of a heavily endowed woman in a flimsy white sari drenched in the rain running around while a male chases her with Holi colors rings a few familiar bells. However, imagine a woman gyrating her hips with a bunch of sparklers and crackers in her hand, hurling fire crackers at unsuspecting males every now and then and singing “Wanna be your chammak challo”? I fail to imagine the latent sexual overtones in this setting. No wonder Bollywood has never really considered dedicating entire songs to the pursuit of the celebration of light and sound, two very important concepts in an extremely dry subject called physics. Sure there are songs with occasional shots of the chick and the lad entwined, playing around with a bunch of sparklers (remember the song Mujhse Mohabbat Ka from Hum Hai Rahi Pyar Ke?), but a random youtube search for Diwali songs yields three results, one from the movie Home Delivery which is not really a “pataakha” item song in any respect, an old song from the time of Akbar where Mukesh’s adenoidal voice (although very melodious) of “Ek who bhi Diwali thi, ek yeh bhi Diwali hai, Ujda hua gulshan hai, rota hua maali hai” sets off a chain reaction of melancholy potent enough to extinguish any number of sparklers and crackers in the world (let’s face it), and another song from the year 1946, where the heroine’s sad state of mind reminded me of the day I had cried buckets at the scary thought of turning 30 because I was convinced that I was approaching senility and half-life decay at an alarming rate. Surely the Ramsay Brothers show more tactile actions (also known as touchy touchy) and hanky (s)panky (amongst ghosts and haunted spirits of course) than these songs do. Sure, there is one song in Kabhi Khushi Kabhie Gham where SRK makes the grand Bhagwan Ram like entry, but then again, every song in that movie reeks of showoff, celebration, and affluence. No fault of Bollywood, which is just a reflection of the evolution of human race (or the lack of it), which brings me back to my irrefutable theory that everything in life ultimately boils down to preening, courtship, mating, and procreation. And anything that does not involve diaphanous clothing, the consequences of global warming (bouts of hot, wet, and cold weather, pun unintended), an umbrella, a few bees buzzing over a rose, a cot (khatiya), or even a reptile-dance number to save the mate from the curse of the evil man will never make it to the Hindi silver screen.
A very happy Diwali everyone, never mind the disappointment Bollywood has brought us.
[P.S.: I thank my friend S who made me notice the scarceness of Diwali songs in Bollywood, something that I had entirely overlooked for reasons not quite clear to me].
sunshine
Thursday, September 22, 2011
Kawta Jaama Holo?
I was shaken out of my reverie where I heard the loud ghonta and shaankh in the wee hours of dawn. It had drizzled the night before, and the cold and dampness in the air made me want to cocoon myself tighter. Shaking off the remnants of sleep, I tried to bring my world into focus again. Apparently, I was no longer in Calcutta, a city where I spent a significant amount of my youth. I was in the U.S. of A., a home away from home, where the heart of Ma Durga beats in a nostalgically similar, yet a painfully different rhythm.
My cousin texted me “Shubho Mahalaya” the other day. It is that time of the year when Ma Durga, her children, and Mahishasura are busy getting spruced up for Pujo. However, Pujo is a different story in this country. Ma Durga’s calendar has been modified for years to suit that of her devotees for the probashi (NRI) Bangali in the US. She visits home not per the tithis of the calendar, but during the weekends, and in the vicinity of community colleges and high school buildings instead of paara, goli, or raasta. Thakur dekha (also known as, pandal hopping) is no longer an activity I associate with hours of walking, standing in lines, brazening the sweltering heat or the torrential downpour that is so characteristic of the pujo-scape in Calcutta. It was refreshing to see such energy reflected everywhere during pujo. I saw it in the faces of people excitedly asking friends and neighbors, “Kawta jaama holo?” (How many sets of new clothes did you buy or were gifted this season?).The real reason of the question was not really to know how many sets of clothes you acquired, but to open up the discussion about all the great places to shop, not to mention announcing to the world of your own count of clothes. I saw it in the scaffolds of the still incomplete puja pandals. I saw it in those craftsmen working diligently to add the final touches of paint on Ma Durga. The otherwise ill-reputed as “dead” city pulsates with life. The smell of pujo permeates the air- a smell characterized not just by the dhup-dhuno, but by puppy love blossoming in every paara or goli, the enthusiasm of shoppers amidst the crazy stampeding, the smell of roadside phuchka and chicken roll, the heart beating to the rhythm of the dhaak, and by loudspeakers blaring anything from “Anjali Mantra” to “Bangla adhunik gaan”, “tu cheez badi hai mast mast” for the braver communities, or “twinkle twinkle little star” recited in monotony by a 4-year old rising star during those “kalcharal nights” organized by her father who also happens to be the secretary of the local pujo’r committee.
Things look somewhat similar here, albeit in a more controlled and otherwise monotonous fashion. You could identify a pujo-hosting high school after hours of being lost in the Amazon rainforests, if only you could find that telltale parking lot filled with the Hondas and the Toyotas mostly in shades of black, blue, or silver. As you shut off the car ignition and adjust your Baluchori sari and the kundan necklace after undoing the seatbelt, other telltale signs clue you in to the venue of the pujo. Mr. Software Sen, otherwise seen in his checkered shorts and Google tee shirt with a cuppa Starbucks coffee as he drives his blue Lexus to office every morning, is spruced up in his dhuti and tussar panjabi and neatly combed hair parted sideways, dutifully handing out lunch coupons and talking unsuspecting and stray pandal hoppers into buying their annual Bangali association membership. Mrs. Anima(ted) Sen, looking straight out of the sets of the movie Devdas in her cream and red sari and her vermilion headed, kohl-smeared eyes and Ma-Kali avatar, chats animatedly about their trip to Greece earlier in summer to spend their 10th wedding anniversary, urging her bored audiences kitty party pals to check out her Facebook album now replete with “wow” comments and XOXOXOXOs. On a different note, it took years for a dehati-to-the-American-culture like me to figure out that those “showered with love” XOXOXOs found in abundance on Facebook are in no way related to the “kaata-kuti” criss-cross board games you played as a middle school student when the teacher did not make it to class. However, I digress here. The Khokon Shonas and Mamonis are running around in their Baby GAP sweatshirts or Dora pink frilly frocks and Stride Rite shoes. They are happily chomping on their pijjas and Mc Dee burgers especially ordered off the kids menu, because they have been universally stereotyped by their parents to lack the digestive system hardy enough to digest khichuri bhog. Important discussions are churning in the name of socializing and networking- I overhear a group of balding, middle-aged, and bespectacled dadas discussing Green Cards and citizenships, options for stock investment and mortgages, Xboxs andPSP3s, Kinects and Builds, or the awaited deals for the upcoming Thanksgiving Black Friday sales. The mashimas and boudis enthusiastically discuss clothing and jewelry, juicy Facebook gossip, impending annual visits of in-laws, the newest desi store selling Tyangra maach and frozen Lyangra aam, and the awesome videos of their Khokon shonas eating organic strawberries in their Bumbo seats. A bunch of young people form a visibly distinct sub-group – the “fresh off the boat” graduate students, enthusiastically discuss research agenda, upcoming conference deadlines, and demanding advisors, definitely lacking the visible traits and polish of the nouveau riches from the east now living over a decade in this country.
However, no matter how sardonically you choose to look at the Americanized version of Durga Pujo, this is the best you are going to get here. No wonder we convince ourselves over time that there is an undeniable magic, an aura even amidst talks of green cards and Tiffany’s jewelry, our mashima who is visiting her son and his family from Borishal proudly beaming, “amar naati you ass citigen” (My grandson is a US citizen). Our pujari moshai is an investment banker, dutifully chanting mantras, the sacred thread and dhoti a far cry from his menacing corporate look. The dhaaki starts to play the dhaak at some point, ushering people for the session of onjoli, picking up fistfuls of yellow lilies and carnations bought from Trader Joe’s. As usual, I experience the all familiar feeling of getting gooseflesh, tapping my feet to the beat of the dhaak. My blood rings and my soul sings to the beats of the drum. A strange magic suffused with nostalgia fills the air. Durga Pujo will remain a unique celebration for me, incomparable with the pumpkin carvings during Halloween, or the turkey roasting during Thanksgiving. I am shaken out of my reverie yet again when a GAP wearer less than half my height innocuously bumps into me, running around in excitement, followed by his hapless dad who reminds me of a pet trainer. It is the same man who was conversing in Bengali, and now, he is running after his son not with the typically what you would expect “jaashna, jaashna, orey khoka firey aaye” (Come back dear son, don’t scamper around), but with a trained and somewhat accented monosyllabic “Don’t run, come back, sit down, eat your pizza !!”, instructed in a fake accent perhaps for the benefit of the scampering kid who might not understand a word of Bangla spoken at home. I see that “Kaan mola khabi” has been aptly replaced by “You will be grounded!!”.
Somewhere in between my present and my past, in between the uloos (the sounds you make flicking your tongue) and the shaankh (conch shell), I am transported to a different era, awash with joyous anticipation. I am 6 years old and am wearing a bright blue frock my parents bought me from the neighborhood garment store. Then I am a 20 year old, wearing a bright green silk sari that belongs to my mother, that she has painstakingly wrapped around me, safety pins and all. I am with my friends pandal hopping in Madox Square, enlivened by the dazzling beauties exchanging hushed glances and sheepish smiles with the handsomely spruced up pajama-panjabi clad group of young men who have spent the last hour or so visually appraising the chicks (an act also known as jhaari maara). So many love relationships form and dissipate in the vicinity of the pandals by the grace of Goddess Durga every year. While most never make it to the altar, an innocuous glance exchanged or that racing of heart beats as you eyed a bunch of decked up people from the opposite gender works wonders in your otherwise drab life marred by academic pressures, social expectations, and what not. I flip between the past and my 30-year old present, casually glancing around me to look in vain for the now-extinct group of good looking and single men roughly my age. A corpulent mashima just stepped on my sari (and my toes), glaring unapologetically at me for intercepting her trajectory as she walks by. She is the same mashima, I recognize, who was animatedly boasting about her sonny boy studying electrical engineering at MIT. I sigh, zoning out of my surroundings for the moment and focusing on the beauty of Ma Durga’s face instead. Of all the things that have changed around me (for better or for worse) in the last few decades of my pujo experience, people, social dynamics, pompousness and all, Ma Durga is the only one who has not changed, still looking as young and stunning as she used to for as long as I can remember. So beautiful, so powerful, yet so very feminine. The only thing that brings in unalloyed joy for me is the visage of Ma Durga and her children. And the smell of pujo. Not to mention the music of the dhaak. Or sometimes the familiar feeling of excitement I used to have as a kid as I marveled at the six packs and brawns of the demon Mahishasura.
sunshine